What you will receive and the policies
藏银雄鹰吊坠 - 手工925银展翅鹰饰
$200.00
Sale price
$200.00
Regular price
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藏银雄鹰吊坠 - 手工925银展翅鹰饰
$200.00
Sale price
$200.00
Regular price
Taxes included.
这款藏银雄鹰吊坠由经验丰富的藏族匠人纯手工打造，采用国际标准925银为主体材质，通过精细铸造与手工雕刻工艺，栩栩如生地呈现出雄鹰展翅的经典姿态。925银的高纯度特性让饰品质地坚韧细腻，佩戴越久越能展现出温润自然的银光泽感。
正面雄鹰双翅完全展开，羽毛层次分明，每一片羽翼都经过细致刻画，翅尖锐利有力，头部与喙部线条刚劲，爪部紧握，整体造型立体而富有动感；背面同样精心打磨，展现出完整的鹰身轮廓与尾羽细节，银质表面光影层次丰富。顶部设计有坚固吊环，便于轻松搭配各类链条或项链，佩戴时随动作自然摆动，充满力量与自由的古典东方韵味。
每一件产品都传承了雪域高原世代相传的金属加工技法，从925银料的精心熔铸，到雄鹰每一根羽毛的细致雕琢，再到整体的抛光处理，每一步都经过严格手工打磨，呈现出历久弥新的艺术美感。它不仅是日常佩戴的个性饰品，更是收藏爱好者钟爱的文化艺术品，无论是搭配简约T恤、户外夹克还是民族风外套，都能自然流露出独特的雪域风韵与精致工艺魅力。
作为VilamaTang藏银系列新品，这枚雄鹰吊坠完美诠释了我们对传统银饰文化的专注与创新——既保留了喜马拉雅古老的金属雕琢技艺，又融入现代925银的耐用与光泽，让每一位佩戴者都能感受到这份跨越时空的手工温度与艺术价值。
产品规格：
- 材质：925银+鎏金+天然饰石
- 工艺：手工铸造、精细雕刻
保养建议：避免接触水分、香水及化学品；日常用软布轻轻擦拭即可保持光泽，长久佩戴更显925银特有的温润质感。
这款藏银雄鹰吊坠作为我们藏银系列新品，完美体现了VilamaTang对传统银饰文化的专注与传承，是喜欢民族风、匠心饰品的朋友不容错过的收藏佳品。
Details
This product is crafted with quality materials to ensure durability and performance. Designed with your convenience in mind, it seamlessly fits into your everyday life.
Shipping & Returns
We strive to process and ship all orders in a timely manner, working diligently to ensure that your items are on their way to you as soon as possible.
We are committed to ensuring a positive shopping experience for all our customers. If for any reason you wish to return an item, we invite you to reach out to our team for assistance, and we will evaluate every return request with care and consideration.
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‼️ Delivery and Policy
❗️Inventory and Shipping Time: Our Thangka inventory is limited and diverse. If the selected Thangka is in stock, we will process and ship it within 15-20 days. If the Thangka is out of stock, it will be hand-painted by our artists, which may take 50-60 days to complete. We will contact you to confirm if you are willing to wait for the customization to be completed.
Why is this Thangka so precious?
🎨Rare mineral pigments🎨
Gold leaf
Gold leaf is made from high-purity gold, hammered into ultra-thin sheets. Its luster is not "golden paint," but a true metallic sheen, possessing a depth and reflective effect unique to gold.
On Thangkas, gold is typically applied using the traditional gilding technique: a thin layer of adhesive is first applied, then gold leaf is placed on top and gently polished, and finally, the edges are refined with an extremely fine brush, making the decorations, halos, and sacred details stand out even more.
Silver
The silver used in Thangka painting was originally a refined precious metal. It was either hammered into paper-thin foil or processed into pigment-grade silver powder—both methods incurred significant material costs and waste.
The key to making silver powder usable as "pigment" lies in its preparation process: the silver powder must be hand-ground to an extremely fine fineness, then repeatedly sieved and graded to remove coarse particles and impurities, ultimately retaining only the most uniform particles. The quality requirements for silver powder are extremely stringent—if the powder is not fine enough, it will appear coarse; if the lines are not smooth enough, they are difficult to correct—therefore, creating clean and crisp silver details requires a significant investment of time, skill, and cost, all of which are tangible.
Turquoise
Turquoise typically forms in the form of fine veins; dense, clean, and richly colored turquoise is relatively rare, and this type of stone can crack—loss is a real possibility during mining and sorting.
After washing, crushing, and hand-grinding, it is then graded by water washing through sedimentation to separate finer, clearer particles; the finest particles are bonded with bone glue and spread thinly to form a bright, transparent blue-green color.
Pearl
The value of a pearl lies not only in its whiteness—it also in the soft, iridescent luster emanating from the microscopic structure of its nacreous layers, a luster that coarse polishing will reduce to a chalky color.
This is why Thangka-grade pearls undergo washing, drying, extremely fine polishing, grading, and then being bonded together with bone glue to form a thin layer of pearlescent glaze—so that the light appears to originate from within, rather than being painted on.
Saffron
Although saffron is fiery red, the extracted juice is a translucent golden yellow, naturally vibrant and highly penetrating. However, the quality of the pigment depends on the origin and purity of the stigma—the deeper and fuller the pistil, the brighter and purer the extracted color. This transparency is unmatched by mineral pigments. As a core plant pigment in Thangka painting, its color range spans a vibrant spectrum from bright yellow to orange-yellow.
After being extracted by soaking in warm water or boiling, the highest quality saffron juice needs to be mixed with an appropriate amount of bone glue for bonding, and then layered and blended on the canvas. It not only gives the skin of Buddha statues or monks' robes a sacred texture, but also, due to its natural medicinal properties, possesses a purifying blessing and a faint fragrance, visually appearing as if a warm, compassionate light is emanating from within the canvas.
Malachite
Malachite's green is naturally saturated, but pigment-grade quality depends on its purity—impurities dull the hue, and uneven particles create a rough surface, making selection crucial.
After repeated grinding and grading, the finest malachite is bonded with bone glue and layered thinly to form a dense, mineral green that appears to grow directly from the stone.
Cinnabar
Cinnabar is prized for its vibrant, pure crimson color—but it is ruthless: impurities or coarse particles quickly dull or coarse the red.
That's why it must be ground extremely finely, graded repeatedly, bound with bone glue, and applied in thin, controlled layers to maintain its crisp, pure red.
Lapis lazuli
Lapis lazuli is expensive, not only because it is a gemstone, but also because the truly blue-bearing cores are relatively rare—people select the deep blue parts and remove the lighter-colored matrix.
The hallmark step is purification: in addition to simple precipitation, traditional preparation methods involve binding ground lapis lazuli into blocks and repeatedly washing/kneading them to release different grades of blue particles; then the finest, purest parts are bound with bone glue and layered to obtain a deep, gem-like blue.
Coral
In many regions, coral sourcing is limited, making pigment-grade materials typically expensive and reliant on responsible sourcing and careful selection.
After washing, drying, and fine grading, the coral exhibits a warm, fleshy red hue, ideal for thin coats—rich yet understated.
Frequently asked questions
What is the return policy?
Our goal is for every customer to be totally satisfied with their purchase. If this isn't the case, let us know and we'll do our best to work with you to make it right.
Are any purchases final sale?
We are unable to accept returns on certain items. These will be carefully marked before purchase.
When will I get my order?
We will work quickly to ship your order as soon as possible. Once your order has shipped, you will receive an email with further information. Delivery times vary depending on your location.
Where are your products manufactured?
Our products are manufactured both locally and globally. We carefully select our manufacturing partners to ensure our products are high quality and a fair value.
How much does shipping cost?
Shipping is calculated based on your location and the items in your order. You will always know the shipping price before you purchase.