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【萃·暖阳拂草】多宝悦心手串
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$60.00
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$60.00
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【萃·暖阳拂草】多宝悦心手串
$60.00
Sale price
$60.00
Regular price
Taxes included.
天然石英质玉 · 非洲翠缅黄多宝手串(随机性发货)
— 翠影入金，瑞色盈腕，定格于指尖的生机与福泽 —
雅致意蕴“多宝”，意即聚合多种天然宝玉石，寓意“招财纳福、万事圆满”。这款手串精选被誉为“非洲翡翠”的非洲翠与极具温润感的缅黄（缅甸黄玉），将深邃的森林之绿与明烂的暖阳之黄巧妙串联。红、绿、黄三色交织，色彩明丽且极具视觉冲击力。它不仅是一件装点腕间的配饰，更是一份凝聚了大地能量与东方“多宝美学”的随身护佑。
产品核心细节
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至臻非洲翠与生机绿意：精选优质天然非洲翠（石英质玉），色泽呈现如茂密雨林般的浓郁翠绿，充满了勃勃生机。玉质紧致，展现出极佳的色彩饱和度与胶质感。
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温润缅黄与暖阳色调：与之搭配的缅黄（缅甸黄玉）呈现出从明亮蜂蜜黄到深沉柿子红的丰富过渡，色泽温暖且富有油脂光泽，与非洲翠的清冷形成了完美的色彩平衡。
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莹润质感与圆润工艺：每一颗圆珠均经过严苛的圆度打磨与高精度抛光，表面光洁如镜，触手冰凉温润，佩戴感舒适贴肤。
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多样性发货，缘分邂逅：受限于天然矿石的随机色泽与纹理，每一串手串的色彩排列分布、色泽深浅皆不尽相同。您收到的每一串都是大自然为您准备的专属“多宝”缘分。
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光影流转的艺术感：在您偏爱的斑驳阳光照射下，绿、黄、红三色珠体会产生迷人的折射与阴影，色彩在腕间交替律动，极具视觉灵动美。
适用场景
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新中式与文艺风的绝佳配饰：多宝手串自带一种随性、从容的气场。非常适合搭配素色棉麻服饰、白衬衫或新中式长裙，能瞬间提亮肤色，彰显不俗的审美品位。
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情绪疗愈的腕间雅物：多色的视觉刺激能带来愉悦的心情。在忙碌的工作间隙，轻捻腕间温润的玉珠，感受那份源自大自然的安抚与宁静能量。
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满载祝愿的至诚礼赠：多宝寓意“财福双全”，非洲翠象征“生机”，缅黄象征“富足”。将其作为 Anfate Jewelry 或 KAILASH AURAS 品牌的开运单品赠予亲友或自我奖赏，传递的是“生活多姿多彩、福运连绵”的美好愿景。
“翠黄交织，多福随身。” 愿这一串非洲翠缅黄多宝手串，伴您阅尽四时繁华，在生活的每一个细碎瞬间，都能守住那份如玉石般的温润与自信。
Details
This product is crafted with quality materials to ensure durability and performance. Designed with your convenience in mind, it seamlessly fits into your everyday life.
Shipping & Returns
We strive to process and ship all orders in a timely manner, working diligently to ensure that your items are on their way to you as soon as possible.
We are committed to ensuring a positive shopping experience for all our customers. If for any reason you wish to return an item, we invite you to reach out to our team for assistance, and we will evaluate every return request with care and consideration.
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‼️ Delivery and Policy
❗️Inventory and Shipping Time: Our Thangka inventory is limited and diverse. If the selected Thangka is in stock, we will process and ship it within 15-20 days. If the Thangka is out of stock, it will be hand-painted by our artists, which may take 50-60 days to complete. We will contact you to confirm if you are willing to wait for the customization to be completed.
Why is this Thangka so precious?
🎨Rare mineral pigments🎨
Gold leaf
Gold leaf is made from high-purity gold, hammered into ultra-thin sheets. Its luster is not "golden paint," but a true metallic sheen, possessing a depth and reflective effect unique to gold.
On Thangkas, gold is typically applied using the traditional gilding technique: a thin layer of adhesive is first applied, then gold leaf is placed on top and gently polished, and finally, the edges are refined with an extremely fine brush, making the decorations, halos, and sacred details stand out even more.
Silver
The silver used in Thangka painting was originally a refined precious metal. It was either hammered into paper-thin foil or processed into pigment-grade silver powder—both methods incurred significant material costs and waste.
The key to making silver powder usable as "pigment" lies in its preparation process: the silver powder must be hand-ground to an extremely fine fineness, then repeatedly sieved and graded to remove coarse particles and impurities, ultimately retaining only the most uniform particles. The quality requirements for silver powder are extremely stringent—if the powder is not fine enough, it will appear coarse; if the lines are not smooth enough, they are difficult to correct—therefore, creating clean and crisp silver details requires a significant investment of time, skill, and cost, all of which are tangible.
Turquoise
Turquoise typically forms in the form of fine veins; dense, clean, and richly colored turquoise is relatively rare, and this type of stone can crack—loss is a real possibility during mining and sorting.
After washing, crushing, and hand-grinding, it is then graded by water washing through sedimentation to separate finer, clearer particles; the finest particles are bonded with bone glue and spread thinly to form a bright, transparent blue-green color.
Pearl
The value of a pearl lies not only in its whiteness—it also in the soft, iridescent luster emanating from the microscopic structure of its nacreous layers, a luster that coarse polishing will reduce to a chalky color.
This is why Thangka-grade pearls undergo washing, drying, extremely fine polishing, grading, and then being bonded together with bone glue to form a thin layer of pearlescent glaze—so that the light appears to originate from within, rather than being painted on.
Saffron
Although saffron is fiery red, the extracted juice is a translucent golden yellow, naturally vibrant and highly penetrating. However, the quality of the pigment depends on the origin and purity of the stigma—the deeper and fuller the pistil, the brighter and purer the extracted color. This transparency is unmatched by mineral pigments. As a core plant pigment in Thangka painting, its color range spans a vibrant spectrum from bright yellow to orange-yellow.
After being extracted by soaking in warm water or boiling, the highest quality saffron juice needs to be mixed with an appropriate amount of bone glue for bonding, and then layered and blended on the canvas. It not only gives the skin of Buddha statues or monks' robes a sacred texture, but also, due to its natural medicinal properties, possesses a purifying blessing and a faint fragrance, visually appearing as if a warm, compassionate light is emanating from within the canvas.
Malachite
Malachite's green is naturally saturated, but pigment-grade quality depends on its purity—impurities dull the hue, and uneven particles create a rough surface, making selection crucial.
After repeated grinding and grading, the finest malachite is bonded with bone glue and layered thinly to form a dense, mineral green that appears to grow directly from the stone.
Cinnabar
Cinnabar is prized for its vibrant, pure crimson color—but it is ruthless: impurities or coarse particles quickly dull or coarse the red.
That's why it must be ground extremely finely, graded repeatedly, bound with bone glue, and applied in thin, controlled layers to maintain its crisp, pure red.
Lapis lazuli
Lapis lazuli is expensive, not only because it is a gemstone, but also because the truly blue-bearing cores are relatively rare—people select the deep blue parts and remove the lighter-colored matrix.
The hallmark step is purification: in addition to simple precipitation, traditional preparation methods involve binding ground lapis lazuli into blocks and repeatedly washing/kneading them to release different grades of blue particles; then the finest, purest parts are bound with bone glue and layered to obtain a deep, gem-like blue.
Coral
In many regions, coral sourcing is limited, making pigment-grade materials typically expensive and reliant on responsible sourcing and careful selection.
After washing, drying, and fine grading, the coral exhibits a warm, fleshy red hue, ideal for thin coats—rich yet understated.
Frequently asked questions
What is the return policy?
Our goal is for every customer to be totally satisfied with their purchase. If this isn't the case, let us know and we'll do our best to work with you to make it right.
Are any purchases final sale?
We are unable to accept returns on certain items. These will be carefully marked before purchase.
When will I get my order?
We will work quickly to ship your order as soon as possible. Once your order has shipped, you will receive an email with further information. Delivery times vary depending on your location.
Where are your products manufactured?
Our products are manufactured both locally and globally. We carefully select our manufacturing partners to ensure our products are high quality and a fair value.
How much does shipping cost?
Shipping is calculated based on your location and the items in your order. You will always know the shipping price before you purchase.