What you will receive and the policies
中式国风和田玉鱼·S925银镶复古年年有余吊坠
在中国传统国风文化与千年祈福寓意中,鱼是吉祥富足的经典象征,寓意“年年有余、富贵绵长、事事顺遂”。和田玉自古被誉为“玉石之王”,温润细腻、灵气内敛,佩戴能养人气场、护佑平安。青玉晴水料色泽柔和通透,如一汪清泉,象征纯净与福运。
这款中式国风和田玉鱼·S925银镶复古年年有余吊坠,是我们 VilamaTang 藏银系列的匠心重磅之作,由传承古法的银匠纯手工精雕细琢而成。选用优质 S925 银 材质,镶嵌天然和田青玉晴水料,色泽古朴温润、光泽持久,永不褪色。
最震撼人心的匠心细节(实拍可见):
- 和田玉鱼形主体:精选天然和田青玉晴水料,玉质细腻温润、色泽柔和饱满,鱼身圆润饱满,象征年年有余与吉祥富足;
- 复古镂空银工艺:银饰部分采用精致镂空雕花,鱼尾与鱼身纹饰层层叠加,线条流畅优雅,360°立体饱满;
- 顶部吊环与连接设计:手工打造的加厚吊环与银叶连接件,质感沉实有力,每一处弧度都充满传统匠人的虔诚与华美。
佩戴它,就像把中式国风的吉祥富足时刻贴近心口。日常通勤挂在颈间,能增添优雅气质、招福引贵、提升个人运势;压力或重要场合时,它是无声的“富足加持”;开车挂在后视镜,守护一路平安与财运亨通;放在包包、钥匙扣、办公桌或供桌上,也能为全家招引正能量与绵延福报。
无论你是追求气质优雅的都市丽人,还是想为家人朋友送上一份富贵祝福,这款和田玉鱼吊坠都是最有温度又最具国风韵味的随身饰品。VilamaTang 始终以匠心传承传统经典,我们把和田玉鱼这一古老吉祥象征浓缩成可随身佩戴的微型福报之源,只为让每一位追求优雅、富足与喜庆的朋友,都能把中华国风的年年有余加持戴在身上、带在身边。
年年有余,福运永存——戴上它的那一刻,好运自来,富足满满。
产品亮点:
- 中式国风经典符号 · 和田玉鱼形造型,年年有余与吉祥富足双重象征
- 天然和田青玉晴水料 + 复古镂空银工艺,细节满分
- 纯手工 S925 银打造,立体质感,永不褪色
- 顶部吊环设计,便于日常佩戴与车挂
- 可挂脖子、后视镜、包包、钥匙扣、供桌/办公区,场景全覆盖
- 寓意深远:年年有余、富贵吉祥、招财进宝、优雅气质、平安顺遂
- VilamaTang 匠心之作,国风饰品与收藏兼备
- 材质:S925 优质银 + 天然和田青玉(光泽持久)
- 保养:避免强酸碱液体,日常佩戴后用软布轻轻擦拭即可保持光亮
- 赠礼推荐:极适合送给闺蜜姐妹、准新娘、长辈亲人、追求优雅的朋友,作为生日、婚礼、乔迁或新年祝福的富贵守护好礼
Details
This product is crafted with quality materials to ensure durability and performance. Designed with your convenience in mind, it seamlessly fits into your everyday life.
Shipping & Returns
We strive to process and ship all orders in a timely manner, working diligently to ensure that your items are on their way to you as soon as possible.
We are committed to ensuring a positive shopping experience for all our customers. If for any reason you wish to return an item, we invite you to reach out to our team for assistance, and we will evaluate every return request with care and consideration.
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‼️ Delivery and Policy
❗️Inventory and Shipping Time: Our Thangka inventory is limited and diverse. If the selected Thangka is in stock, we will process and ship it within 15-20 days. If the Thangka is out of stock, it will be hand-painted by our artists, which may take 50-60 days to complete. We will contact you to confirm if you are willing to wait for the customization to be completed.
Why is this Thangka so precious?
🎨Rare mineral pigments🎨
Gold leaf
Gold leaf is made from high-purity gold, hammered into ultra-thin sheets. Its luster is not "golden paint," but a true metallic sheen, possessing a depth and reflective effect unique to gold.
On Thangkas, gold is typically applied using the traditional gilding technique: a thin layer of adhesive is first applied, then gold leaf is placed on top and gently polished, and finally, the edges are refined with an extremely fine brush, making the decorations, halos, and sacred details stand out even more.
Silver
The silver used in Thangka painting was originally a refined precious metal. It was either hammered into paper-thin foil or processed into pigment-grade silver powder—both methods incurred significant material costs and waste.
The key to making silver powder usable as "pigment" lies in its preparation process: the silver powder must be hand-ground to an extremely fine fineness, then repeatedly sieved and graded to remove coarse particles and impurities, ultimately retaining only the most uniform particles. The quality requirements for silver powder are extremely stringent—if the powder is not fine enough, it will appear coarse; if the lines are not smooth enough, they are difficult to correct—therefore, creating clean and crisp silver details requires a significant investment of time, skill, and cost, all of which are tangible.
Turquoise
Turquoise typically forms in the form of fine veins; dense, clean, and richly colored turquoise is relatively rare, and this type of stone can crack—loss is a real possibility during mining and sorting.
After washing, crushing, and hand-grinding, it is then graded by water washing through sedimentation to separate finer, clearer particles; the finest particles are bonded with bone glue and spread thinly to form a bright, transparent blue-green color.
Pearl
The value of a pearl lies not only in its whiteness—it also in the soft, iridescent luster emanating from the microscopic structure of its nacreous layers, a luster that coarse polishing will reduce to a chalky color.
This is why Thangka-grade pearls undergo washing, drying, extremely fine polishing, grading, and then being bonded together with bone glue to form a thin layer of pearlescent glaze—so that the light appears to originate from within, rather than being painted on.
Saffron
Although saffron is fiery red, the extracted juice is a translucent golden yellow, naturally vibrant and highly penetrating. However, the quality of the pigment depends on the origin and purity of the stigma—the deeper and fuller the pistil, the brighter and purer the extracted color. This transparency is unmatched by mineral pigments. As a core plant pigment in Thangka painting, its color range spans a vibrant spectrum from bright yellow to orange-yellow.
After being extracted by soaking in warm water or boiling, the highest quality saffron juice needs to be mixed with an appropriate amount of bone glue for bonding, and then layered and blended on the canvas. It not only gives the skin of Buddha statues or monks' robes a sacred texture, but also, due to its natural medicinal properties, possesses a purifying blessing and a faint fragrance, visually appearing as if a warm, compassionate light is emanating from within the canvas.
Malachite
Malachite's green is naturally saturated, but pigment-grade quality depends on its purity—impurities dull the hue, and uneven particles create a rough surface, making selection crucial.
After repeated grinding and grading, the finest malachite is bonded with bone glue and layered thinly to form a dense, mineral green that appears to grow directly from the stone.
Cinnabar
Cinnabar is prized for its vibrant, pure crimson color—but it is ruthless: impurities or coarse particles quickly dull or coarse the red.
That's why it must be ground extremely finely, graded repeatedly, bound with bone glue, and applied in thin, controlled layers to maintain its crisp, pure red.
Lapis lazuli
Lapis lazuli is expensive, not only because it is a gemstone, but also because the truly blue-bearing cores are relatively rare—people select the deep blue parts and remove the lighter-colored matrix.
The hallmark step is purification: in addition to simple precipitation, traditional preparation methods involve binding ground lapis lazuli into blocks and repeatedly washing/kneading them to release different grades of blue particles; then the finest, purest parts are bound with bone glue and layered to obtain a deep, gem-like blue.
Coral
In many regions, coral sourcing is limited, making pigment-grade materials typically expensive and reliant on responsible sourcing and careful selection.
After washing, drying, and fine grading, the coral exhibits a warm, fleshy red hue, ideal for thin coats—rich yet understated.
Frequently asked questions
What is the return policy?
Our goal is for every customer to be totally satisfied with their purchase. If this isn't the case, let us know and we'll do our best to work with you to make it right.
Are any purchases final sale?
We are unable to accept returns on certain items. These will be carefully marked before purchase.
When will I get my order?
We will work quickly to ship your order as soon as possible. Once your order has shipped, you will receive an email with further information. Delivery times vary depending on your location.
Where are your products manufactured?
Our products are manufactured both locally and globally. We carefully select our manufacturing partners to ensure our products are high quality and a fair value.
How much does shipping cost?
Shipping is calculated based on your location and the items in your order. You will always know the shipping price before you purchase.